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Roland M-5000

O.H.R.C.A. 128 Channel Live Digital Mixer Console

Pozvati za cenu

The Roland M-5000 console’s internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses. This allows you to essentially “build” a console structure based on the immediate needs of the application. This makes for a console that accommodates high levels of flexibility for precise response to dynamically changing applications and venues.

  • Input and output options galore

Up to 300 inputs and 296 outputs (and more at 48kHz) are managed in separate patchbays. Any input can be patched to any or multiple outputs, including control* of gain and phantom power, without having to be patched through a mixing channel. OHRCA makes it possible to control an enormous number of input and output channels across multiple protocols and formats.

  • Sound quality maintaining all the fidelity of the original source

It starts with a high sampling rate of 96kHz. The discrete circuitry was precisely designed with careful component selection and circuit architecture, separation of analog and digital sound modules, 72-bit linear summing circuit, and more.

  • User assignable controls and bright, informative displays

The right side of the surface features an assignable section that lets the user assign key functions for quick access. Bright, full-color OEL displays offer excellent visibility in any light.

  • Flexible control and extendible screen space

Operate the console from a computer on a second or third display. The M-5000  GUI allows multiple windows, and features support for high-resolution displays. The dedicated app supports remote control from an iPad and supports Retina displays for crystal clear graphics.

  • An ideal solution for monitor position

For the monitor engineer, the M-5000 offers an Engineering Monitor function that mirrors each musician’s M-48 enabling the engineer to hear exactly what the musician is hearing. Connect it to one of the two monitor buses and toggle back and forth between musicians using personal mixers and those using traditional bussing.